By Natural History Museum

Published: Thursday, 01 September 2022 at 12:00 am

This year’s Wildlife Photographer of the Year 2022 competition, developed and produced by the Natural History Museum, London, attracted entries from photographers of all ages and experience levels from 93 countries.

Each entry was judged anonymously on its creativity, originality, and technical excellence by an international panel of industry experts.

Chair of the judging panel, Roz Kidman Cox says, “What’s stayed with me is not just the extraordinary mix of subjects in this year’s collection – a vast panorama of the natural world – but the emotional strength of so many of the pictures.”

The winning images, including the prestigious Grand Title Award and Young Grand Title Award, will be announced on 11th October 2022 during an exclusive awards ceremony hosted by wildlife TV presenter and conservationist Chris Packham.

Pick up a copy of the November 2022 issue of BBC Wildlife magazine, on sale from Thursday 20th October, for a supplement featuring the winning images.

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Highly commended, 10 Years and Under

The snow stag by Joshua Cox, UK

Joshua Cox frames a red deer stag standing majestically as the snow falls.

It had just started to snow when Joshua and his father arrived in Richmond Park. They followed the deer at a safe distance when suddenly the snow intensified and one of the stags stopped. “He almost looked as if he was having a snow shower,” says Joshua.

Richmond Park is home to herds of red and fallow deer, which have been roaming freely since 1637. The grazing deer help to manage the landscape of the park.

Location: Richmond Park, London, UK
Technical details: Panasonic Lumix DC-TZ90; 1/80 sec at f6.3; ISO 400

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Highly commended, 15-17 Years

The octopus case by Samuel Sloss, Italy/USA

Samuel Sloss is spotted by a coconut octopus, which peeks out from its clam-shell shelter.

Samuel was muck diving when he noticed this octopus. He lowered the power of his strobe lamp so as not to distress it. The octopus shut the lid of the shell when Samuel approached, but then slowly opened it, revealing colours and coils.

This small octopus hunts mainly shrimps, crabs, clams and small fishes. To protect its soft body when foraging on sand or mud, it hides in various objects – sometimes even coconut shells.

Location: Lembeh Strait, Sulawesi, Indonesia
Technical details: Nikon D300 + 105mm f2.8 lens; 1/320 sec at f6.3; ISO 200; 2x Inon Z-240 strobes; Nauticam housing

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Highly commended, Animals in their Environment

Burrow mates by Morgan Heim, USA

Morgan Heim reveals an intimate encounter between a beetle and a rabbit.

Morgan set up camera traps by the active burrows of pygmy rabbits in the Columbia Basin to observe their comings and goings. She was delighted by this moment of interaction as one of the rabbits sniffed at a stink beetle that had been sheltering in its burrow.

These rabbits live in Washington state’s Columbia Basin. The Basin has become increasingly overgrazed, and parts have been cleared for crop growing. With this small, isolated population facing extinction, conservationists have intervened, boosting numbers to 150 and rising.

Location: Near Quincy, Washington, USA
Technical details: Canon EOS Rebel T7 + Rokinon 14mm f2.8 lens; 1/160 sec at f16; ISO 800; 3x Nikon SB‑28 flashes; Camtraption PIR motion sensor

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Highly commended, Animal Portraits

Highly commended, Animal Portraits: Polar frame by Dmitry Kokh, Russia

Dmitry Kokh shares an otherworldly encounter of polar bears taking over an abandoned settlement.

When Dmitry’s boat approached the small island of Kolyuchin, in the Russian High Arctic, which had been abandoned by humans since 1992, he was surprised to spot movement in one of the houses. Binoculars revealed polar bears – over 20 in total – exploring the ghost town. Dmitry used a low-noise drone to document the surreal experience.

Extremely inquisitive, polar bears will investigate abandoned structures for potential food. With climate change reducing sea ice, hunting is becoming increasingly difficult, pushing these bears closer to human settlements to scavenge.

Location: Kolyuchin Island, Chukotka, Russia
Technical details: DJI Mavic 2 Pro + Hasselblad L1D-20c + 28mm f2.8 lens; 1/320 sec at f3.2; ISO 100

More related content: 

Wildlife Photographer of the Year 2021 – Winners

Wildlife Photographer of the Year 2021 – Highly Commended images

Wildlife Photographer of the Year 2021 – The People’s Choice Award

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Highly commended, Animal Portraits

The right look by Richard Robinson, New Zealand

Richard Robinson becomes the object of fascination for a young whale.

With the whale investigating him, Richard’s main challenge was to swim far enough from the curious calf to photograph it. The encounter lasted 30 minutes, with the whale circling him, swimming off, then returning for another look.

New Zealand’s population of southern right whales, known as ‘tohorā’ in Māori, were hunted to near extinction by European whalers in the 1800s, then by Soviet whalers in the 1900s. Now protected, the population has bounced back from a small group including just 13 breeding females, to more than 2,000 individuals.

Location: Port Ross, Auckland Island, New Zealand
Technical details: Canon EOS 5DS R + 8–15mm f4 lens at 15mm; 1/500 sec at f4.5; ISO 640; Aquatica housing

Shot under New Zealand Department of Conservation permit #84845-MAR

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Highly commended, Behaviour: Birds

Dipper dispute by Heikki Nikki, Finland

Heikki Nikki witnesses two dippers fighting over prime position.

After years of visiting the river, Heikki knew every ‘dipping’ rock favoured by white-throated dippers. Picking one hidden beneath flowing water, he sat quietly on the bank. Suddenly the spot became the subject of a hotly contested argument. Poised for the action, Heikki captured the fleeting moment.

Dippers use ‘dipping’ rocks as a launch pad to scout rivers before diving down to hunt mayfly and caddisfly larvae and small fish, swallowing tiny catches while submerged.

Location: Kuusamo, North Ostrobothnia, Finland
Technical details: Canon EOS R5 + 600mm f4 lens + 1.4x extender; 1/2500 sec at f5.6; ISO 6400; Gitzo tripod

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Highly commended, Behaviour: Amphibians and Reptiles

Treefrog pool party by Brandon Güell, Costa Rica/USA

Brandon Güell wades through murky water to document a rare breeding frenzy of frogs.

Plagued by mosquitoes, Brandon waded chest-deep into the murky water where a gathering of male gliding treefrogs were calling. At dawn thousands of females arrived at the pool to mate and lay their eggs on overhanging palm fronds. Here, unmated males search for females to mate with.

These spectacular mass-breeding events occur in only a few remote locations, a few times a year. Each female lays around 200 eggs, creating huge egg masses. Eventually the tadpoles will drop into the water below.

Location: Osa Peninsula, Puntarenas, Costa Rica
Technical details: Canon EOS 70D + 50mm f1.8 lens; 1/125 sec at f2.8; ISO 250

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Highly commended, Natural Artistry

The disappearing giraffe by Jose Fragozo, Portugal

Jose Fragozo captures the contrast between the natural world and human infrastructure.

Keeping his camera steady in the moving vehicle, Jose followed the giraffe. Dwarfed by the giant pillars of Kenya’s new Standard Gauge Railway, the grey blocks contrast with the unmistakable pattern of nature’s tallest land mammal.

Around the world, human development increasingly encroaches on the range and habitats of animals. Though this stretch of railway running through Nairobi National Park is raised on giant columns, allowing animals access beneath, this picture is symbolic of how the space for wildlife continues to be squeezed.

Location: Nairobi National Park, Kenya
Technical details: Canon EOS-1D X Mark II + 600mm f4 lens; 1/1000 sec at f9; ISO 800

More related content: 

How to win Wildlife Photographer of the Year

How and where to see the Wildlife Photographer of the Year exhibition in 2022

 

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Highly commended, Under Water

Underwater wonderland by Tiina Törmänen, Finland

Tiina Törmänen floats through sheets of cloud-like algae in search of fish.

Tiina was thrilled to meet a school of inquisitive European perch on her annual lake snorkel. During the previous three years she had only ever found dead fish. Submerged in the surreal scene, she framed the orange-finned fish flying through clouds of pink-tinged algae.

Although it created a beautiful scene, excessive algal growth, a result of climate change and warming waters, can cause problems for aquatic wildlife as it uses up oxygen and blocks out sunlight.

Location: Honkalampi, Posio, Finland
Technical details: Canon EOS R5 + 15–35mm f2.8 lens at 15mm; 1/250 sec at f8; ISO 500; Nauticam housing

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Highly commended, Oceans: The Bigger Picture

Just one day’s catch by Srikanth Mannepuri, India

Srikanth Mannepuri takes a sobering look at the scale of unsustainable fishing.

Srikanth was shocked to see so many recently caught marlin and sailfish in a single place in one morning. To demonstrate the scale of the fish market, he used a drone to take the image from a bird’s-eye view.

Sailfish and marlin are top ocean predators essential to ecosystems. Globally, 85% of fish stocks are currently overexploited by humans. Without urgent efforts to protect marine habitats and create truly sustainable fishing practices, we will soon begin to lose species forever.

Location: Kakinada, Andhra Pradesh, India
Technical details: DJI Mavic 2 Pro + Hasselblad L1D-20c + 28mm f2.8 lens; 1/500 sec at f5.6 (+2.3 e/v); ISO 100

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Highly commended, Urban Wildlife

Sloth dilemma by Suzi Eszterhas, USA

Suzi Eszterhas captures an encounter between a sloth and a dog.

The brown-throated sloth had already made it across a road, but to reach the next clump of trees it needed to return to the ground and crawl. Meeting a big dog, it froze. Suzi watched fearfully but the dog, having taken part in a sloth-safety training programme, simply sniffed it.

Sloths live in trees and rarely descend to the forest floor. With increasing habitat loss and the fragmentation of the forest, they are forced on vulnerable journeys across urbanised areas to find food, suitable habitats and mates.

Location: Puerto Viejo de Talamanca, Costa Rica
Technical details: Canon EOS-1D X Mark III + 24–70mm f2.8 lens at 41mm; 1/200 sec at f4; ISO 400

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Highly commended, Wetlands – The Bigger Picture

The lost floods by Jasper Doest, The Netherlands

Jasper Doest provides a portrait of Lubinda Lubinda, revealing the impact of drought on the Zambezi flood plain.

Lubinda Lubinda is station manager for the Zambezi River Authority. Lower water levels mean his new house (right) did not need to be built as high. Climate change and deforestation mean the Barotse people of the floodplain are subject to more frequent droughts.

A diversity of wildlife is dependent on regular floods, as is the Barotse people’s way of life. The wetland provides people with fish, pasture for livestock, fertile soil, and vegetation for thatching and making household items.

Location: Barotse Floodplain, Zambia
Technical details: Leica M10 + Summicron-M 35mm f2 lens; 1/250 sec at f5.6; ISO 500; Profoto B10 flash

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Highly commended, Photojournalism

Wanted! By Britta Jaschinski, Germany/UK

Britta Jaschinski uses torchlight to highlight the impact of coltan mining.

Glowing blue, coltan is a component of phone and laptop batteries. Here Britta surrounds it with mining tools and the remains of animals impacted by the industry, all seized by customs authorities: a gorilla skull, vertebrae and leg bone, and porcupine quills.

Coltan is extracted from the riverbeds of the Democratic Republic of the Congo by poorly paid miners who hunt wild animals for food. Hunting and trading wildlife threatens the future of the country’s gorillas and has led to an increased risk of viruses jumping to humans.

Location: Leibniz Institute for the Analysis of Biodiversity Change, Hamburg, Germany
Technical details: Leica SL2 + Vario-Elmarit-SL 24–90mm f2.8–4 lens; 1/5 sec at f22; ISO 800; torch; tripod

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Highly commended, Photojournalism

Life and death in fur farming by Jo-Anne McArthur, Canada

Jo-Anne McArthur shows American mink kits fighting for space in a small cage on a fur farm.

For Jo-Anne it is important to document cruelty in order to instigate change. At a Swedish mink farm, the sign above a cramped, inhospitable cage indicates two kits have died. Due to legislation changes since this photo was taken, farms now have slightly larger cages, but the standard of life remains poor.

In 2020 scientists discovered that mink could catch the Covid-19 virus and that it could mutate and be transmitted to humans. In response, Denmark shut down its industry. In 2022 in Sweden, after a temporary ban on breeding, the government allowed some mink farms to reopen.

Location: Lindasen, Sweden

Technical details: Nikon D700 + 17–35mm f2.8–4 lens; 1/250 sec at f6.3; ISO 3200

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The Wildlife Photographer of the Year exhibition at the Natural History Museum in London will open on Friday 14th October 2022 and close on Sunday 2nd July 2023. Tickets can be booked via the NHM website.

After the launch of the flagship exhibition at the Natural History Museum, the exhibition will embark on a UK and international tour.

The 59th Wildlife Photographer of the Year opens for entries on Monday 17th October 2022.

Main image: Highly commended, Animal Portraits: Polar frame by Dmitry Kokh, Russia. © Dmitry Kokh/Wildlife Photographer of the Year

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